On March 17 @[171721456366Monica Silva] LUX ET FILUM exhibition series opens in São Paolo, Brazil.
Here's what Monica said about Lux Et Filum:
"Lux Et Filum - A contemporary vision of Caravaggio", comes from a need to create something that could go beyond photography. My dream was to return to my hometown, Sao Paulo, with something special. I wanted to show the skills and achievements I’ve obtained away from home. I’ve spent hours and hours studying Caravaggio, which in my mind is the number one Baroque painter.
We also asked how the Phase One gear benefitted her work:
This whole emotional journey for the exhibition, due to the size of the prints, was only made possible with the Phase One camera system. The first part of the project was shot with an IQ180 digital back, 80 megapixel full-frame 645 with a 80mm f/2.8 LS lens. This was for the portrait of the Italian pianist Stefano Bollani who posed in a classic portrait. This is the only chiaroscuro styled image in the project. I shot tethered at ISO 35 to see the image in “real-time” on the monitor, it looked like I had two Bollanis on the set, it was more than amazing.
Read the full case study here: http://bit.ly/19qU4tm
Monica Silva - LUX ET FILUM
On March 17 @[171721456366Monica Silva] LUX ET FILUM exhibition series opens in São Paolo, Brazil. Here's what Monica said about Lux Et Filum: "Lux Et Filum - A contemporary vision of Caravaggio", comes from a need to create something that could go beyond photography. My dream was to return to my hometown, Sao Paulo, with something special. I wanted to show the skills and achievements I’ve obtained away from home. I’ve spent hours and hours studying Caravaggio, which in my mind is the number one Baroque painter. We also asked how the Phase One gear benefitted her work: This whole emotional journey for the exhibition, due to the size of the prints, was only made possible with the Phase One camera system. The first part of the project was shot with an IQ180 digital back, 80 megapixel full-frame 645 with a 80mm f/2.8 LS lens. This was for the portrait of the Italian pianist Stefano Bollani who posed in a classic portrait. This is the only chiaroscuro styled image in the project. I shot tethered at ISO 35 to see the image in “real-time” on the monitor, it looked like I had two Bollanis on the set, it was more than amazing. Read the full case study here: http://bit.ly/19qU4tm from Phase One's Facebook Wall
Here's what Monica said about Lux Et Filum:
"Lux Et Filum - A contemporary vision of Caravaggio", comes from a need to create something that could go beyond photography. My dream was to return to my hometown, Sao Paulo, with something special. I wanted to show the skills and achievements I’ve obtained away from home. I’ve spent hours and hours studying Caravaggio, which in my mind is the number one Baroque painter.
We also asked how the Phase One gear benefitted her work:
This whole emotional journey for the exhibition, due to the size of the prints, was only made possible with the Phase One camera system. The first part of the project was shot with an IQ180 digital back, 80 megapixel full-frame 645 with a 80mm f/2.8 LS lens. This was for the portrait of the Italian pianist Stefano Bollani who posed in a classic portrait. This is the only chiaroscuro styled image in the project. I shot tethered at ISO 35 to see the image in “real-time” on the monitor, it looked like I had two Bollanis on the set, it was more than amazing.
Read the full case study here: http://bit.ly/19qU4tm
Monica Silva - LUX ET FILUM
On March 17 @[171721456366Monica Silva] LUX ET FILUM exhibition series opens in São Paolo, Brazil. Here's what Monica said about Lux Et Filum: "Lux Et Filum - A contemporary vision of Caravaggio", comes from a need to create something that could go beyond photography. My dream was to return to my hometown, Sao Paulo, with something special. I wanted to show the skills and achievements I’ve obtained away from home. I’ve spent hours and hours studying Caravaggio, which in my mind is the number one Baroque painter. We also asked how the Phase One gear benefitted her work: This whole emotional journey for the exhibition, due to the size of the prints, was only made possible with the Phase One camera system. The first part of the project was shot with an IQ180 digital back, 80 megapixel full-frame 645 with a 80mm f/2.8 LS lens. This was for the portrait of the Italian pianist Stefano Bollani who posed in a classic portrait. This is the only chiaroscuro styled image in the project. I shot tethered at ISO 35 to see the image in “real-time” on the monitor, it looked like I had two Bollanis on the set, it was more than amazing. Read the full case study here: http://bit.ly/19qU4tm from Phase One's Facebook Wall
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